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HomeForumsAI for Creativity & DesignHow can AI help me create storyboards and shot lists for commercials?Reply To: How can AI help me create storyboards and shot lists for commercials?

Reply To: How can AI help me create storyboards and shot lists for commercials?

#127814
Jeff Bullas
Keymaster

Hook: Want a usable storyboard and shot list in under 30 minutes? AI gets you there — fast — if you feed it the right brief and follow a simple checklist.

Why this works: AI excels at turning clear inputs into structured outputs. It won’t replace your director or DP, but it will give you reliable drafts to iterate from — fewer meetings, fewer surprises on set.

What you’ll need

  • One-paragraph script or treatment
  • 2-sentence creative objective (message + mood)
  • Scene beats with rough durations (seconds)
  • 3 mood keywords or 3 reference images
  • Any constraints: budget band, camera, lenses, locations

Step-by-step (do this)

  1. Write the 2-sentence objective — force clarity.
  2. Break the script into 3–8 beats and assign seconds to each.
  3. Run a director-focused AI prompt to get 2 visual options per beat.
  4. Pick your preferred visuals and run a production pass to convert into shot specs (INT/EXT, framing, camera move, lens suggestion, estimated minutes).
  5. Create simple storyboard image prompts for your top shots and generate or hand the prompts to an artist.
  6. Export the final shot list to a spreadsheet, mark priorities and time estimates, then review with DP/PM 48–72 hours before shoot.

Copy-paste AI prompt (quick 5-shot win)

Project title: “[TITLE]”. Creative objective: “[one-line message and mood]”. Script (one paragraph): “[paste script]”. Scene beats with durations: “[beat 1 – 5s; beat 2 – 8s; …]”. Mood keywords: “warm, contrasty, energetic”. Constraints: “budget: [low|medium|high], camera: [model], max crew: [number], locations: [list]”. Output: 1) A 5-shot sequence covering opener and closer: number, INT/EXT, action, suggested framing, camera move, approximate duration, and one visual reference keyword. Keep language simple. 2) For each shot give a short production note: lens choice, tripod/handheld, minimal gear, and estimated minutes to shoot.

Worked example — one-paragraph script + 5-shot mini shot list

Script: “A young woman opens a bakery door at dawn. She breathes in, smiles at the empty shop, turns on the oven, and places fresh croissants on a cooling rack for a customer who will arrive later.”

  1. Shot 1 — INT, 5s: Wide doorway shot as she pushes the door; framing: 3/4 wide; camera move: slight push-in; visual: warm morning light. Prod note: 24mm, tripod, 8 minutes.
  2. Shot 2 — INT, 4s: CU of her face inhaling; framing: close-up; camera move: static; visual: soft highlights. Prod note: 50mm, handheld or small rig, 6 minutes.
  3. Shot 3 — INT, 6s: Mid-shot of her switching on the oven; framing: waist-up; camera move: pan to follow action; visual: tungsten glow. Prod note: 35mm, tripod, 10 minutes.
  4. Shot 4 — INT, 6s: Insert of croissants being placed on rack; framing: close macro; camera move: rack focus; visual: buttery texture. Prod note: 85mm macro, tripod, 8 minutes.
  5. Shot 5 — INT, 5s: Wide of empty shop with warm light, croissants in foreground (closer); framing: wide with foreground interest; camera move: slow dolly out; visual: inviting. Prod note: 35mm, dolly/slider, 12 minutes.

Common mistakes & fixes

  • Too-vague brief — Fix: force a 2-sentence objective before you prompt.
  • Skipping durations — Fix: require seconds per beat to get realistic timing.
  • Trusting AI visuals without DP input — Fix: run a production pass and review with DP.

1-week action plan (fast)

  1. Day 1: Write objective + gather 3 mood images.
  2. Day 2: Run director pass; pick top visuals.
  3. Day 3: Run production pass; build spreadsheet shot list.
  4. Day 4: Create storyboard prompts and generate frames.
  5. Day 5: Review with DP/PM; lock the list.

Closing reminder: Use AI for drafts and options — make humans the final call. Start small, iterate, and lock the shot list 48–72 hours before the shoot for calm, confident production days.